Leon Stein wrote The Triangle Fire in 1962. Stein, who died in 1990 was the editor of Justice, the official publication of the International Ladies’ Garment Workers’ Union.
The Triangle Fire recounts the horrific story of the 1911 Triangle Shirtwaist fire, when 123 young women and 23 men died in a New York sweatshop that had locked doors and utterly inadequate escape routes. This is a very timely book. This kind of tragedy is what happens when employers of defenseless and desperate poor women ignore fire laws (which weren’t all that great anyway) and lock their employees into their workplace, just to maintain complete control and perhaps make a few more dollars. While industrial accidents are scarcely unknown in this country, they happen regularly and often on a much larger scale in third world countries where so many of our clothes, electronics and other consumer goods are made. (William Greider’s excellent introduction to The Triangle Fire does an excellent job of recounting some of these more recent tragedies.)
Stronger unions, better fire laws and arguably better fire enforcement all ensued after the Triangle Fire, but the fire didn’t need to happen and all those workers certainly didn’t need to die. Ironically, Stein writes that because of the way the owners were permitted to overinsure their buildings, they may well have profited from the fire. The sad fact remains that 146 immigrant women, mostly Jewish and Italians, were killed — many of them by jumping out the windows of the sweatshop to avoid being burned to death.
This book is a strong reminder that workers need protection from their bosses, who cannot be relied upon to put safety first. Safety regulations, effective enforcement and constant vigilance are required to prevent industrial tragedies. Unfortunately the strong anti-government, anti-regulatory fervor that has gripped Washington doesn’t bode well for protecting our workers, and this country’s current leadership has given no indication whatsoever that it cares about the safety of American workers, much less the safety of third world workers who make so many of our products. To the contrary, the focus seems to be on freeing the rich of all those nasty curbs on their freedom to get richer on the backs of everyone else.
This is a relatively short and very clear book. I recommend it because it tells an important story about one of this country’s most disastrous industrial tragedies and because it reminds us how vulnerable this country’s workers still are.
S.D. Sykes has written a masterful murder mystery set in the immediate aftermath of the Black Death in Britain. Plague Land has an unwilling hero. Oswald de Lacy, the third son of a minor British lord, was destined for the religious life, despite his lack of faith. When Oswald’s father and two elder brothers are killed by the plague, Oswald inherits his father’s title and returns home literally to become the lord of the manor.
In the course of an interesting plot and intriguing characters, S.D. Sykes tells her readers quite a bit about how the Black Death
Before it was a successful Disney movie (which I have yet to see), The Queen of Katwe was a book by Tim Crothers. Crothers initially came to Uganda to do a story on Phiona Mutesi, an impoverished teenager from the slums of Katwe who had become a chess champion through an improable series of events. Crothers correctly recognized that Phiona’s story deserved a book, and he has written a fine one. The Queen of Katwe does an excellent job of filling in the back story of Phiona’s family, as well as the story of Robert Katende, her coach and mentor.
Crothers does the research and asks the fundamental questions — how and why does a barely literate young girl from one of the worst slums in the entire world creep into the world of chess and use it to launch a different life? There is no satisfactory answer. Despite Crothers’ diligent interviews of Phiona and the people around her, Phiona remains an inigma. What is clear, however, is that many different people contributed one way or another along the way. There is Katende, who couldn’t get a job as an engineer after he managed to graduate from university but then somehow lucked into a job with a Christian philanthropic community because of his soccer skills and then got the idea to teach a unlikely group of slum kids chess. (Phiona wasn’t the only impoverished, hungry child to benefit from Katende’s inspired decision to teach kids who could barely read the fundamentals of chess.). Phiona’s impoverished family helped, too. Her mother calculated that it was better for her children to attend chess classes and get something to eat there than to earn a pittance in the marketplace. It was also no small thing that Phiona’s brother let her tag along. Fundamentally, at important times, there were people who looked out for Phiona as she learned chess and as her success with chess led to her engagement with the world outside Katwe. The list of helpers and mentors goes on, but ultimately Phiona was the one who decided to follow her brother to Katende’s class and to dig in and learn the game. Other Katwa kids may have been equally diligent, but Phiona had a gift.
This is an inspiring book. Even if Phiona remains an unknowable figure, her story and her unprecedented accomplishments are completely fascinating. I was left wanting to know what happens next in her life. (Wikipedia was moderately helpful here, so we will keep contributing!)
Finally, I really appreciated the author’s ability to take a back seat in his interviews, as well as his diligent efforts to talk to so many people and to keep trying to find out more about Phiona. Also, as Crothers notes, the book could never have happened if Robert Katende hadn’t attended the bulk of the interviews to provide translations skills. So kudos to Katende as well!
The principal characters in Meg Wolitzer’s The Interestings have dubbed themselves cool and interesting. They come together as teenagers at an artsy summer camp in the early 1970’s, and the novel follows them into their fifties. The group, initially comprised of a wealthy brother and sister, a striving would-be cartoonist and the talented son of a folk star, invites Jules (previously know as Julia) Jacobson to join them. Although told in the third person, the story is largely seen through Jules’ eyes. As the story begins, Jules is a miserable teenager from a middle class New York suburb. Her father has recently died, and she feels estranged from just about everything. Awarded a scholarship by the camp, Jules is mystified as to why she has been invited to join this “cool” group of New Yorkers. She eagerly joins them, and a great story of decades of friendship ensues.
All of the other Interestings are from New York City, and Jules views everything about them as hip, fascinating and special in contrast to her own stifled life in the suburbs. She can’t believe she is part of this group and becomes known as a consistently loyal and wryly funny member. Jules’ view that the other characters are special and generally lead relatively charmed lives in contrast to her own more prosaic and periodically impoverished existence is one of the central themes of the book. Jules spends a lot of time regretting that she hasn’t been more “successful” as she stubbornly defines it and discounting her own significant, real-life accomplishments. We all know people like this, and they can get pretty annoying, but Jules held my interest. Her struggles and the decisions she made were heroic in their own way and gave structure to the book.
Whereas Jules’ backstory is pretty much laid out at the beginning of the book, Wolitzer supplies the details for the other characters as the story proceeds. The novel tracks these friends well into their fifties, through years of crazy success, economic hardships, romantics ups and downs and various highs and lows. At times each of these characters gets pretty annoying. I wanted them to suck it up and got on with their lives. Sometimes they do, but often they don’t. Whereas Jules is persistently observant and dissatisfied, the others generally seem far more caught up in the details of their own lives and more accepting of the lives they have been dealt.
In the end some of the characters have luck and others don’t; some of the characters adjust and some of them don’t; and the definition of success is probed and redefined. Wolitzer’s writing is clear and gives the reader plenty of time to think about the choices the characters make. I liked this book. It made me think a lot about past and current friendships.