Mick Herron’s Why We Die is a strong mystery with quite a lot happening. It’s a shame Lauren Bacall isn’t around to play the vamp, but Jennifer Lawrence would make a powerful Zoe Bohm, a down on her luck private eye who stumbles into the highly perilous inner workings of a crime family. Arkle, one of three brothers, is seriously the scariest thug I’ve seen. Sociopath doesn’t begin to describe him. The interplay among Arkle and his two seemingly less scary brothers provides unifying substance to the careening violence, where nothing seems to go quite right. The plot is spectacular, but so too are the characters and their troubles. It’s a page turner with depth, supported by a grungy Oxford setting. I highly recommend this book, particularly to people who like female detectives, British mysteries and a lot of noir.
I love Scandinavian mysteries, and Jo Nesbo’s Blood on Snow and Ekjell Eriksson’s The Demon of Dakar are both excellent. They share an almost laconic delivery that is just very satisfying to read. The characters are interesting, and there aren’t a lot of stereotypes.
Blood on Snow, a Norwegian mystery has a very macabre set of humor. It features Olaf, a somewhat hapless hitman who has become a target himself. There’s really not a lot more to say about this. It is a short book and clearly written. The author’s unconventional take on how one falls into a career as a hitman is highly entertaining.
The Demon of Dakar is a more complex and serious murder mystery. Dakar combines a rich set of characters enmeshed in the drug trade. A trio of desperately poor and relatively naive Mexican brothers gets caught up in a trafficking mess. Manuel, the eldest brother is determined to get some justice from a malevolent crew of sleazy Swedish dealers, and this sets the book’s central crime in motion. I really liked a number of things about this book. The investigation process was interesting, because the police were dealing with such an unexpected scenario. I also found the capable, strong and utterly believable female characters to be a great strength of the book. Their gender undeniably causes them problems, particularly on the job, but they remain focused persevere . These women don’t have it all together, but they are responsible people — they are grown ups — so they get the job done. I also really appreciated the author’s handling of the bewildered, yet determined Manuel’s stumbling yet effective progress through an alien environment.
Both books are well worth reading.
Hell Fire is Karin Fossum’s latest excellent murder mystery. As usual Fossum’s story is heavy with troubled family relationships and people who are struggling. The detectives are not partcularly quirky; they play a background role in this family tragedy. The all consuming struggle of two single mothers trying to cope with bad circumstances and parenting challenges moves this story forward. There isn’t a lot of emotion to the matter-of-fact narration, but the story is well told and compelling, and I found myself thinking about it quite a bit afterward.
I Will Have Vengeance – The Winter of Commissario Ricciardi is Maurizio de Giovanni’s first book in the Commissario Ricciardi series. Based on the two books I have read thus far, this is a great series. Commissario Ricciardi is a compelling and mysteriosly driven detective struggling in the dangerous muck of fascist Naples. The few friends he has are intriguing in their own right, and Naples provides a dangerous and romantic backdrop.
Since I Will Have Vengeance is the first novel in the series, De Giovanni takes his time describing Commissario Ricciardi, his environment and what makes him tick. Ricciardi is an unusual, tragic soul with a mystical approach to solving crimes. I found the mystical twist to be an unnecessary distraction, but I still loved this book. Ricciardi is plenty smart; he doesn’t need to “see things” that others do not see. Mysticism aside, Ricciardi is a compelling and clever detective whose remote and forbidding demeanor intimidates his boss and vaguely offends most of his colleagues.
The historical and operatic context of I Will Have Vengeance is its greatest strength. A nasty yet immensely talented opera singer is bumped off, and Ricciardi faces intense political pressure to solve the case immediately. The year is 1931, and Mussolini’s fascism has overtaken Italy, but this particular mystery is driven by opera. As it happens, Ricciardi knows little about opera, so an enthusiastic opera buff is recruited to educate the detective about the opera and its singers. It is a nice twist to have an Italian detective know so little about opera, and we learn as Ricciardi learns.
Even so, the prevailing political mood is sinister and opportunistic. Fairness and justice are early casualties, although this book doesn’t have the cold and deadly atmosphere of terror that dominates a later book I read in this series. Clearly things will be getting much worse in fascist Italy.
I happen to love European noir mysteries. This excellent series stands out because it is set in Naples, which combines its own blend of poverty and corruption with deadly fascist terror. With the benefit of hindsight, I recommend that you read this series in order to take full advantage of De Giovanni’s brilliant depiction of the creeping horror of fascism, while at the same time developing a complex picture of an unusual and oddly pragmatic detective and his friends.
Now for something completely different. Caryl Brahms & SJ Simon’s A Bullet in the Ballet combines a 1930’s British mystery with the wonderful world of ballet, and the result is hilarious. A Bullet in the Ballet was first published in 1937, but its artistic lunacy is timeless. In this giddy mystery, artistic temperament runs amok. A struggling, second-rate Russian ballet company is performing ballet Petroushka in London when one of its stars is murdered. It comes as no particular surprise that the victim wasn’t very nice, had lots of enemies and isn’t much missed. Indeed, the ballet company remains pretty much unfazed by the murder, except to fret about how it will affect scheduling and, more importantly, offer the chance for a lesser dancer to snag a starring role. “The show must go” definitely trumps solving the murder for this company.
Enter Adam Quill, a not particularly successful detective, who wants to redeem himself and get this case right. Poor Quill struggles to get the impresario Vladimir Stroganoff and the rest of Strigranoff’scompany to focus on the murder and answer a few questions. Instead they keep offering him tea and diversions. While Quill never entirely abdicates his professional responsibilities, he is charmed and inevitably swept up in the zany world of Stroganoff and his assorted dancers, both aspiring and aging out. Ultimately solving the mystery plays a distant second fiddle to the wonderfully crazy atmosphere of artistic desperation and opportunism.
I generally avoid books with two authors, but am happy I broke my rule here. Caryl Brahms was a dance critic, and SJ Simon was an expert bridge player and writer, of all things. They lived in the same lodgings and wrote a bunch of books together. They are a fantastic writing duo.
A Bullet in the Ballet evokes the madcap qualities of 1930’s movies such as “Bringing Up Baby.” Let me just say that Cary Grant would have been an outstanding Detective Quill. If you are in the mood for a funny murder mystery or happen to love ballet, this is a wonderful read.
It is worth mentioning that I only heard of this book because I read The Wall Street Journal’s Saturday book reviews, which are a wonderful source of interesting books from the past. I don’t know if A Bullet in the Ballet is still in print, but it was very easy to find a used copy on line.
If you like English murder mysteries, you need to know about Cyril Hare. Hare was a London barrister who spent much of his long legal career in a chambers known for handling high profile criminal cases. Throughout his long legal career, which culminated in a judgeship, Hare also wrote murder mysteries. In Death Among Friends, a short story compilation, Hare proves the point that it never hurts to look at events from a completely different and somewhat skewed angle.
Hare’s murder mysteries, many of them written in the years between the wars, frequently turn on some arcane legal point. In Death Among Friends, Hare offers both short and longish detective stories where the precise reason for a murder is often as obscure as the manner in which the murder is accomplished. Greed is the overwhelming motive in most of these stories, and of course by itself that is not so unusual. What makes these stories so interesting and fun to dissect, however, is the care and imagination Hare employs to develop and justify the basis and manifestation of his characters’ greed and expectations.
Hare’s legal bent is highly entertaining for lawyers, but these stories and his longer books engage anyone hooked on unexpected and clever plot lines. Hare doesn’t spend a lot of time developing characters, except to the extent that he creates some very selfish, single-minded people. I do prefer novel-length murder mysteries and highly recommend Cyril Hare’s longer books. Even if they are out of print, they can generally be found as used books on line or in your favorite used book store. To have a complete background in the English murder mystery you really need to read Cyril Hare.
Faye Kellerman’s The Theory of Death is an engaging mystery with great characters, a clever plot and very human characters. Pete Decker is a retired LA homicide detective who has taken a job with a small police force in an Eastern college town. Decker is aging and thinking about it, but of course there is a murder to keep him occupied. Ever since I first read Amanda Cross’s Death in a Tenured Position, I have loved academic mysteries. This one is set in the hyper-competitive math department of a small college, and there is lots of petty intrigue and jealousy to keep the story moving.
This series has been around for a long time and also features Decker’s wife Rina, an interesting orthodox woman of great understanding and warmth. Inevitably she gets drawn into the efforts to figure out who did what to whom and why. Decker is also an observant Jew and that adds a unique dimension to his character. Since moving East, this series has acquired a young, irreverent yet dedicated cop, Tyler McAdams. The tension and repartee between the experienced Decker and the newbie McAdams add to the charm and the bite of this series.
If you have never read an of Faye Kellerman’s Pete Decker series, you might want to start at the beginning. The Theory of Death stands on its own, but I really liked the early books because they set up Decker’s relationship with his wife and also offered a crash course in orthodox Jewish practice, in much the same way as Chaim Potok’s The Chosen. I have a always loved this series and particularly like this foray into academia.
A Beautiful Blue Death is fantastic book title, and Charles Finch’s murder mystery lives up to the promise of its title. It is always wonderful to discover a new author who has written a series of mysteries with an interesting detective. A Beautiful Blue Death is the first in a series, and I have high hopes that the other books in the series will be equally interesting.
Charles Lenox is an English gentleman whose avocation is solving mysteries. In A Beautiful Blue Death, Lenox can’t resist getting drawn into the murder of a young housemaid. Lenox is an interesting man. He clearly longs for something else in his life and loves to plan exotic trips he is unlikely to take — he knows somehow that something will get in the way. All the book’s characters are well-drawn, and there is a potential romantic interest in the form of a thoughtful and content youngish widow. In addition to an excellent detective, fine characters and a complex plot, Charles Finch draws an excellent picture of Victorian England. The political context and the social order are an important part of A Beautiful Blue Death, and the book is the better for it. All in all, this series holds great promise. I’ve already ordered the next book in line.
Sue Grafton’s X is another fun Kinsey Millhone mystery. Millhone is the reason to read this alphabetical series, which started with A Is for Alibi. Kinsey Millhone is a twice-divorced and happily independent private detective. It is sort of amazing that Grafton has been able to write such a consistently entertaining series based on just one relatively normal character, who isn’t grappling with some intense personal tragedy. Millhone doesn’t have a sidekick, but she does have a charmingly cranky personality with a hefty curiosity component. She is happily single and enjoys her life and her small group of friends. It is always satisfying to read about a heroine who isn’t obsessed with her own looks or looking for romance. Kinsey Millhone is a well-developed character who is comfortable in her own skin and has no trouble keeping us interested in what she is going to do next.
X is jammed with subplots and interesting characters. The plot isn’t particularly tight or organized, but the twists are clever and entertaining. In X, Millhone lets her curiosity take over. She’s got some money in the bank for a change, so she can pursue some odd leads just to put matters to rest for herself in this tangled tale. Her approach is increasingly whimsical and accepting of human frailties.
I recommend this and the other books in Sue Grafton’s wonderful series. These books hold your interest through interesting characters and intelligent story lines, rather than excessive sex and violence.
I am a big fan of Philip Kerr’s Bernie Gunther series, and A Man Without Breath is an excellent addition to the series. Bernie Gunther would like to be an ordinary criminal investigator, but the Nazi regime and World War II make that impossible. No one is untainted in Bernie Gunther’s world, but Philip Kerr still manages to present Gunther as a sympathetic character — hard-bitten with just a little bit of idealism left in him. Humphrey Bogart would have played him very well.
This time Gunther finds himself in on the Eastern Front on an errand for Joseph Goebbels. It is the Spring of 1943, and a lot of Germans have begun to realize the war may not end well for them. Their frantic maneuvering doesn’t preclude still more atrocities, but it does muddy the waters for Gunther, who would really just like to solve his crimes and go home to Berlin. There is a plethora of interesting historical detail, particularly with respect to the NKVD’s own atrocities and the growing interest on the part of certain aristocrats in assassinating Hitler. It is a grim story, but the characters, plot and setting are really interesting. Kerr adds some Casablanca-like repartee, a little romance and an excellent sense of the absurd to make this a really good novel.