Jussi Adler-Olsen started a wonderful Danish detective series with The Keeper of Lost Causes, The First Department Q Novel. It’s not unusual for a mystery series to start with a discredited and morbidly confused detective, but Carl Morck is truly distinctive. His personal and professional baggage is overwhelming, yet he carves out his space and moves forward. Morck’s contempt for most of the people in the police department, is both hilarious and near-suicidal, but he makes it work. I’ve always been a fan of watching discredited people make the system work for themselves. The way Morck tortures the people who are trying to torture him is inspired and very funny. Less funny is the guilt Morck suffers in connection with a prior case that left his partner completely incapacitated. Along the way, there is a mysterious yet oddly engaging assistant with an apparently gruesome past, a new love interest for Carl who has no idea what to do with it and the kind of dark underlying mysteries that happily characterize so many great Scandinavian crime novels.
This is no standard example of the Scandinavian crime genre. Adler-Olsen has created something wonderfully new. I think I’ve read a total of three Department Q mysteries, but this is the first and it sets the stage brilliantly for the novels to come. Carl is the kind of protagonist who lacks all social skills, and I couldn’t help loving him. Carl’s back story and the other characters created by Adler-Olsen are truly inspired and provide ample fuel for additional books in this series, and I now absolutely have to read all of them.
Hello Kitty Must Die by Angela Choi is one of the stranger books I have read recently, and I do recommend it. Fiona Yu is a youngish, hilariously twisted Chinese American woman with a take-no-prisoners attitude toward life. A Big Law lawyer, Fiona lives with her parents and has no love life. The disconnect between her parents’ traditional expectations and her own rogue intentions is massive, and yet they all live together. The first person narration of Fiona’s frustrations and utterly amoral nature gleefully pulls the reader into a bizarre, macabre tale. It is always impressive when an author can make the reader care about what happens to a truly appalling protagonist, and Choi does it with great zest. This very fun book reminded me of Arsenic and Old Lace, without the buffer of sweet characters with good intentions. Hello Kitty Must Die happily shares the manic zaniness of Arsenic and Old Lace and craziness of the best screwball comedies from the 1930’s. Underlying all the fun and mayhem, is the story of Fiona’s frustrations with the expectations and tedium of her life. Being a single, overworked lawyer with clueless, demanding parents presents real issues, and while the average person wouldn’t resort to Fiona’s fierce tactics, it’s hard not to bond with her, one way or another.
I know she led a long, rich and successful life, but how I miss P. D. James! Despite my long-standing aversion to the short story genre, I found James’ collection Sleep No More — Six Murderous Tales to be absolutely wonderful. These stories, which were published between 1973 and 2006, diverge from James’s usual sensitive, thoughtful mysteries starring Adam Dalgliesh. Unlike a full length mystery novel, these stories are written from the perspective of the actors rather than the detective. They are characterized by seemingly normal people going rogue and being astonishingly brutal about getting what they want. There is no agonizing. Some are written in the first person, which makes the amoral quality of them even more jarring. The plots are clever and are the main point of these tales. Personality is far less in the forefront than in a typical James novel. It is as if James came up with six interesting schemes for how murders were devised and committed and then simply wrote them down without belaboring how a detective might discover who did them. Since this is P. D. James, there is far more to it. She swiftly and effectively sketches compelling characters and settings and then she brutally presents the murder. These are well worth reading.
These stories also suggest that one way to write a mystery would be to start with scaffolding of a well thought out, clever pot and only then write the novel around it. I wonder if James did that. Anyway, these are great stories!
I loved Janet Flanders’ A Murder of Magpies, a clever mystery set up London’s publishing world. Samantha (“Sam”) Clair is a marvelous protagonist. Sam is an established, somewhat jaded middle-aged editor with few illusions about her authors. Because she is a woman, middle-aged, competent and unflashy….. Well you can imagine how she is frequently treated and ignored. When a friend goes missing, Sam she proceeds with curiosity and the help of her equally accomplished and exasperating mother and a rumpled detective. Sam’s reactions feel so very human and she looks at things just a little differently because of her own experiences and intellect. The London setting and the politics of the publishing and fashion worlds supply additional substance to this fun mystery. Janet Flanders is clever, funny and charming, and deftly inserts sly feminist touches.
This is the kind of mystery I particularly like. It has great characters with unexpected depth, courage and talents. The settings are interesting, as is the plot. As it happens, the fact that A Murder of Magpies is a mystery is less inportant than the characters and how they interact with each other and their environments. This is a fun, decidedly non-noir story, and I recommend it.
Shanghai Redemption, a Chinese mystery featuring Chen Cao, the recently demoted chief inspector of the Shanghai Police Department. Chen, who has hitherto maintained an enviable reputation as an honest and resourceful detective, is now inexplicably in jeopardy. Trying to figure out where he went wrong or which of his investigations proved too hot for his enemies compels Chen to navigate the treacherous waters of modern day China. A rat’s nest of party politics, corruption and disgraced cadres proves difficult to unravel and exceedingly dangerous. The author does a stellar job of revealing Chen’s personality, perceptions and strategies. Seeing events from Chen’s perspective, as well as the perspective of some of his old allies, makes for a great narrative. This novel also provides a wealth of interesting characters with all kinds of connections to Chen and his enemies. I did find it difficult to keep track of the names of so many characters who drop in and out of the narrative in no particular order. If I had it to do over again, I would keep a list of who the characters were and when they first appeared, because many of the names sounded very similar me.
I’m increasingly interested in mysteries from the Far East, and Shanghai Redemption is a stellar entry in the genre. This is the first Inspector Chen novel I have read, but it’s not the first in the series. I plan to go back in time and read some of the earlier novels, because this is a very intelligent and compelling series with a unique detective.
S.D. Sykes has written a masterful murder mystery set in the immediate aftermath of the Black Death in Britain. Plague Land has an unwilling hero. Oswald de Lacy, the third son of a minor British lord, was destined for the religious life, despite his lack of faith. When Oswald’s father and two elder brothers are killed by the plague, Oswald inherits his father’s title and returns home literally to become the lord of the manor.
In the course of an interesting plot and intriguing characters, S.D. Sykes tells her readers quite a bit about how the Black Death
I love Scandinavian mysteries, and Jo Nesbo’s Blood on Snow and Ekjell Eriksson’s The Demon of Dakar are both excellent. They share an almost laconic delivery that is just very satisfying to read. The characters are interesting, and there aren’t a lot of stereotypes.
Blood on Snow, a Norwegian mystery has a very macabre set of humor. It features Olaf, a somewhat hapless hitman who has become a target himself. There’s really not a lot more to say about this. It is a short book and clearly written. The author’s unconventional take on how one falls into a career as a hitman is highly entertaining.
The Demon of Dakar is a more complex and serious murder mystery. Dakar combines a rich set of characters enmeshed in the drug trade. A trio of desperately poor and relatively naive Mexican brothers gets caught up in a trafficking mess. Manuel, the eldest brother is determined to get some justice from a malevolent crew of sleazy Swedish dealers, and this sets the book’s central crime in motion. I really liked a number of things about this book. The investigation process was interesting, because the police were dealing with such an unexpected scenario. I also found the capable, strong and utterly believable female characters to be a great strength of the book. Their gender undeniably causes them problems, particularly on the job, but they remain focused persevere . These women don’t have it all together, but they are responsible people — they are grown ups — so they get the job done. I also really appreciated the author’s handling of the bewildered, yet determined Manuel’s stumbling yet effective progress through an alien environment.
Hell Fire is Karin Fossum’s latest excellent murder mystery. As usual Fossum’s story is heavy with troubled family relationships and people who are struggling. The detectives are not partcularly quirky; they play a background role in this family tragedy. The all consuming struggle of two single mothers trying to cope with bad circumstances and parenting challenges moves this story forward. There isn’t a lot of emotion to the matter-of-fact narration, but the story is well told and compelling, and I found myself thinking about it quite a bit afterward.
The wonderfully insightful review I had written of Denise Mina’s outstanding Garnethill has somehow vanished. I’m sure it is my fault; I probably pushed the wrong button somewhere.
Anyway, this is a great and unusual murder mystery set in a seedy, struggling Glasgow. This was Denise Mina’s first novel, and it was also the first book in her Garnethill trilogy. Maureen O’Donnell is compelling protagonist. Maureen has had a tough life, and it doesn’t seem to be getting much better when her married lover is found murdered. She is worried for herself and her brother and starts getting curious. She doesn’t really know how to investigate a crime, but she keeps poking around and thinking it through. This is one of those great books where a very flawed and undisciplined character is thrust into a dangerous situation and thrives! I rooted for Maureen O’Donnell every step of the way. Her good heart, her curiosity and her previously untapped intelligence and good heart make her a stellar heroine. There was enough hanging at the end of the book to suggest that the other two books in the Garnethill trilogy will be equally compelling.
I Will Have Vengeance – The Winter of CommissarioRicciardi is Maurizio de Giovanni’s first book in the Commissario Ricciardi series. Based on the two books I have read thus far, this is a great series. Commissario Ricciardi is a compelling and mysteriosly driven detective struggling in the dangerous muck of fascist Naples. The few friends he has are intriguing in their own right, and Naples provides a dangerous and romantic backdrop.
Since I Will Have Vengeance is the first novel in the series, De Giovanni takes his time describing Commissario Ricciardi, his environment and what makes him tick. Ricciardi is an unusual, tragic soul with a mystical approach to solving crimes. I found the mystical twist to be an unnecessary distraction, but I still loved this book. Ricciardi is plenty smart; he doesn’t need to “see things” that others do not see. Mysticism aside, Ricciardi is a compelling and clever detective whose remote and forbidding demeanor intimidates his boss and vaguely offends most of his colleagues.
The historical and operatic context of I Will Have Vengeance is its greatest strength. A nasty yet immensely talented opera singer is bumped off, and Ricciardi faces intense political pressure to solve the case immediately. The year is 1931, and Mussolini’s fascism has overtaken Italy, but this particular mystery is driven by opera. As it happens, Ricciardi knows little about opera, so an enthusiastic opera buff is recruited to educate the detective about the opera and its singers. It is a nice twist to have an Italian detective know so little about opera, and we learn as Ricciardi learns.
Even so, the prevailing political mood is sinister and opportunistic. Fairness and justice are early casualties, although this book doesn’t have the cold and deadly atmosphere of terror that dominates a later book I read in this series. Clearly things will be getting much worse in fascist Italy.
I happen to love European noir mysteries. This excellent series stands out because it is set in Naples, which combines its own blend of poverty and corruption with deadly fascist terror. With the benefit of hindsight, I recommend that you read this series in order to take full advantage of De Giovanni’s brilliant depiction of the creeping horror of fascism, while at the same time developing a complex picture of an unusual and oddly pragmatic detective and his friends.